2008/05/24
From Flavio "Have you made up your Mind " new Video!
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Yann
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5/24/2008 12:34:00 AM
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2008/05/23
Modfather still following his dreams! Another LP?
Sarah Walters 23/ 5/2008
Image has, of course, followed Weller around as much as his music. With The Jam and The Style Council, and (since 1992) as a solo artist, he was touring the world before I was even in short trousers, but he remains the sharpest looking Mod on the block. After 31 years on the road, what has he boiled the essential Paul Weller touring kit down to? "Toiletries, shoe polish," he lists, his voice soft, his north London accent still pronounced. "Keep yourself as nice as you can. Clean living under difficult circumstances." So, that's the weather, tea and toiletries ticked off: all the essentials on the interview checklist. But the real business, of course, is Weller's new record, 22 Dreams - a 21-track expedition that hints at all of Paul's musical back catalogue.
"I wasn't particularly that conscious of that," he says, "whether it was in a sub-conscious way, I don't know. A lot of the record was just made up as we went along, quite improvised. "But I suppose I'm coming up to the grand age of 50, and maybe I was thinking about that? When I make a record they just happen, and whatever I do to start out with always ends up totally different, anyway." Whatever the creative processes at play, 22 Dreams looks likely to be Weller's most critically-lauded record in over a decade. It's also his 21st studio album, I point out. "I dunno," he shrugs nonchalantly, "I've stopped counting."
Jazzy strut From the jazzy strut of the title track and the British country of All I Wanna Do (Is Be With You) to the psych-rock of the Noel Gallagher co-penned Echoes Round The Sun and the eerie hip-hop vibe of God (featuring Ian Brown's former guitarist Aziz Ibrahim), it sounds like the kind of coherent whole an artist could comfortably call time on their career with. "I suppose we spent a lot of time trying to make the tracks sequent into each other and make it feel like a bit of a little journey. It took a year to complete and I suppose it's a journey through that year of our lives. "There's definite references to the elements on the record, and seasons. We have the door open in our studio whether it's winter, summer, whatever, so we can see the seasons change." The move from the simple, springy folk of Light Nights to the stormy feel of closing track Night Lights certainly suits this theory. "That's a thunderstorm," he smiles, "we just stuck the mic out the door so it was very spontaneous, there was even a peacock shrieking in the background." He still loves making music but the years have made him no more likely to wax lyrical about his new material. As Weller sees it, the proof has always been in the listening; his tour so far has made a big feature of the new record, packing as many of the album's eclectic tracks in as possible during his lengthy live sets.
Orchestra : But he wants to go one step further. "I'd like to tour this record," he says, "to have a full orchestra and extra musicians and play it all in sequence. "I'd especially like to do that with this one because it's got so much music on it, it'd be like a complete evening. But you don't know how things are going to do commercially these days, so who knows? "If it dies a death after three weeks, then I guess it ain't gonna work," he laughs. "But if it stays around, I think it'd be brilliant to do that." If he had the time, he'd give Wild Wood and Stanley Road the same treatment. But Weller - a father of five - continues to be a very busy man. As we catch up, he's in the middle of a sold-out 12-date UK tour and is preparing for a run of arena shows this autumn, which hits the M.E.N. Arena on November 18. "This has been a really creative period for me," Paul enthuses. "We probably ended up doing 27 songs altogether, and we could have kept going. It just kept unfolding in front of us. "I always say that every record will be my last, because making a record is so creatively knackering and I always feel a bit depleted afterwards. "But, with this record, I didn't feel that, and I'm kinda looking forward to making the next one. "There's certain tracks on here that are sort of springboards into the future for me, opening up other places where I can go, you know? "And I wouldn't necessarily want to start on that next week, but I can kind of foresee making another record by the end of the year."
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Yann
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5/23/2008 10:57:00 PM
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2008/05/22
Pete Paphides' interview available at PW news.

Paul Weller flags up his new album 22 Dreams with marathon tour.
On a long, drunken night on his tour bus, Paul Weller tells our correspondent about turning 50, his barnstorming new album and why his son is wrong about fast food. Pete Paphides
In a room of musicians, everyone momentarily stops what they’re doing when the star material ambles in. The frayed T-shirt, tight black jeans and black fly shades complement the impassive unsmiling face. Like a walking composite of every goth and emo sub-genre of the past ten years, Paul Weller’s son Nat takes a seat in the canteen next to his dad – who, even with his angular Mod barnet, barely raises an eyelid by comparison. It’s as though God, on one of his more whimsical days, decided to bestow the Modfather a goth son, to see if both could adapt to the challenge... to be continued in the very excellent Paul Weller news blog!
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Yann
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5/22/2008 11:43:00 PM
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All on a misty morning! Bournemouth's gig... The Big Thrill.
Thanx to Kosmos 1968! great sound!
Publié par
Yann
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5/22/2008 06:28:00 PM
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New welcomed member in blog's team! Wigzy! Hammersmith's review.
I really enjoyed it too. Not quite the atmosphere of Bournemouth (I'm a big fan of the smaller venues) but I still thought it was a fabulous gig. Ladies: the man was looking even sexier than normal *sigh* and I stand by my earlier comment that I think the new line up works really well together.I thought it was really sweet when Paul got Roger-the-guitar- tech (that is his actual name you know - fact) to come on stage and rattle a tambourine. He looked a bit embarrassed but it was a nice moment - especially when most of us have seen PW give him a bollocking on stage at some point or another!
There were a few absolute tossers (iteratively and figuratively) lobbing fluids and I'm very sorry to read that it ruined Euan and other people's evening. I saw one guy get hit on the side of the head with a bottle. Seriously - sod off to your paddling pools and get out the way of the people trying to enjoy the music. I was fortunate enough to bump into Andy Lewis (Bass / Cello player) in a nearby restaurant before the gig. I had a quick chat with him (he was with his parents and wife - Weller said 'hello' to them during the gig) and he was a really charming and down-to-earth kind of guy. I asked him how he felt about being on the telly the night before (Later With Jools Holland) and he said he was so nervous he couldn't have looked more stuffed than a Christmas turkey! He did go onto say that the recording after the broadcast stopped going out live was better in his opinion and that we should watch out for that on Friday here in the UK.
[A complete part of the human happiness process and Miracle maker (Yann)]
Publié par
Yann
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5/22/2008 02:00:00 PM
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