Copyright Alex Vanhee, check his facebook page. |
A Weller gig is never only another Weller gig, it’s a
complete party, we have rituals, we have to be there around 5 PM, stay in the
pubs all around and when you’re anonymous Welleraholic like us, it’s always a
bit a ceremony. Oh no, I’m not the ultimate fan, I don’t even have all
the records, and I’m not that sure to love Sonik Kicks, blame and shame
on me but I can’t listen it from the beginning to the end. But it’s Weller and
he moved forward, once again. It’s great and I love him for that. There’s
nothing rational in our relation with Weller, he’s a part of us, it has to be
said. You all know that, the parka army etc. So when I go to a Weller’s gig
with my UK Bro Simon, with Niels, with my 21 years old son Anton (he was born
the first solo LP years, mates…), got butterflies in the stomach, I’m afraid to
be late due to Brussels heavy traffic (was only 15 minutes late, Simon, come
on… Don’t say it to everyone or I will have to say you forgot your ticket…),
I’m afraid of cancellation, first Belgium earthquake ever, whatever… Everything has been
cool. We were right on time and the celebration could start! We had a few beers
with Fellow friend Niels and three Liverpool’s lads who knew the blog. Couldn’t
be more proud! Honest, it’s
the European and continental Weller’s version, it’s not the big crowd and we
were about 25 to wait for the Magic bus. I have to admit I had really bad and
very naughty thoughts about the Weller lookalike clones, it should be
very very strange to walk in the same shoes, to go to the hairdresser and ask
the same cut, etc and…it’s probably very strange too to be in the bus, to be
the original Weller and to watch those copies. It was a bit freaky in a way,
like this Alien Movie with Sigourney weaver when she is in the test room,
looking at the first attempt to recreate … Ripley. Bad boy… I don’t put the
blame on them at all and Weller is, in a way, in my DNA, yes, he changed my
life, when I was 14, going to a public library, listening Sound Affect. Became
a mod in 35'35" minutes…for life. And he gave me so much music. Mark Baxter said
it, thank him for so many records to listen, so many propositions, from the
Beatles to John Coltrane for me, from Curtis Mayfield to Krautrock. Wasn’t very
fan of the late Style Council and the plastic soul era (send me insults, love
you anyway) but he’s always on the verge to smash me with a new song and his
average songwriting level is incredibly high! He’s a real mod, completely open,
not a narrow minded nationalist, he knows it’s a bit short to have a Fred Perry
shirt and a Scoot. Modness is a commitment to openness, don’t you think?
A fan, me?
Yes, he’s in my DNA now and my son was here, it’s definitely in the family now
but what about the gig? In 2008, it’s been a pretty bad one. He was angry, he
wanted to bite someone, he did try to do something but nothing worked…No soul,
no fire… Something was wrong and he even wrote “Shithole” on the setlist
instead of Brussels…It’s been a short gig and the day after, he gave one of the
best I’ve ever seen in Amsterdam’s Paradiso but not this one. Niels and Simon
went back home under a heavy cold rain… Bad mood, bad gig… Goodbye Brussels…
Simon? Who is the guy behind the camera? |
I really
wonder how you can feel when you’re an “under the skin” fan, same hair dresser,
same hair cut, same glasses but… a bit too small, a bit too something anyway. I
also wonder what you can feel when you’re the real Weller, in the bus, watching
the pavement and to have a strange mirror like this one.
We had much
fun with our fellow English companions and they wanted to offer us a beer
because they knew the blog, honest, and Anton and I had a beer in our hands and
two full glasses waiting for us. Cheers, Boys!
Stay Cool Andy, Niels is just behind us... |
8.10 PM.
The band is on stage, Weller is absolutely classy, Mod, Elegant, in the best
Saville row tradition. We all know immediately than the gig will be good,
Weller is happy with the sound, with the backline, with the level of his voice,
with his guitar, he was just happy and not grumpy at all. Sonik Kicks is much
better on stage, much electronic loops, yes, but the density is better, the
stage and the sound of the LP live is very impressive. Even the cigarette is an
electronic one and Weller could smoke on stage! So, it’s a good moment, a
strange experience too to know exactly what he’s gonna play…It’s pretty brave
to play a NEW album in full. Weller still moves on, he doesn’t want to become
his own tribute band, playing the old stuff again and again and we love him for
that. He could pick in his back catalogue but… no way. From In the city to
Sonik Kicks, it’s a long walk to move forward. You, audience, you’re gonna hear
my last album, the hot one, not my cold ashes and if you don’t like it, no way
to do something else… Mrs Weller, HannaH, the sweet Weller’s palindrome came on
stage and sung very well the jazzy dub song. She smiled to Paul, who didn’t
have a look at her, we play, nothing else, it’s all about music.
The
acoustic set reached the roof, really, completely brilliant, Weller has been
intelligent, once again, and he picked up the most interesting songs from the
vocal point of view to play with all the singers he can use… it means any
member of the band but Ben, on the second drum kit…Vocal harmonies were
beautiful and it’s not Déjà Vu by Crosby Stills Nash and Young but it’s
pure, aerial, immaterial, subtle, and it’s not numb or flat… The songs walk
over you, it’s always a dynamic flux, not the flat acoustic moment, it’s the
time of the proper language of the acoustic way to do music. Closer of John
Martyn than another useless MTV Unplugged record. We have so many useless self
repeating pattern in the songs we have to stand on the radio…And then came the
Sonik storm, we went in the eye of the hurricane...
Weller,
sober, is very sharp and tight again when he plays the guitar and I think he
took more solos than usually, he was looking for a deep sound, for the electric
vibration, the sustain is back and there’s no more too short notes (and no more
barking on the voice), he was really trying to reach everyone, even that 15 years old kid
with a brilliant “All mod cons” shirt on the first row… The great Weller is
here, when he has that very personal way to move, slowly moving on a feet and
on another one, blinking et looking at the audience in a challenging
attitude, like he was saying « Is it good enough ?” Oh yes, it
was and The AB became a spaceship, straight to the clouds, up there with the
best british performers and it’s been one of the most moving Weller’s gig i’ve
been ever… A white butterfly flew staright to me, a plectrum, Fender
« Heavy »,was happy to catch it, Sonic Pick…
Several
encores and no old stuff, no Wildsood, no You do something to me, no Malice but
Broken Stones…
No Crack on the pavement this time, no sad and cold rain,
the sky wasn’t crying… The crowd went out to celebrate that gig and she was
conquered, by the Weller stage army and by the music too… Outside, I met Eon
Ballinger, he lives in France now and he played on the last Creation (yes the
genuine mod band) when they had a reunion (Power Surge LP). We had a friendly accolade. The
street was red with purple flashes…Couldn’t be more perfect…Sonik geeks...
6 comments:
Yannick
I write as one of the three Liverpool lads. What a night, what a gig and it was good to meet you.
Andrew
Hello Andrew; write me there: yann.viseur@sfr.fr and we'll meet when I'll get up to 'Pool! ;) Thanx for your friendly attitude!
Great review, Yann, and an intense and powerful gig imho. Echoes Round The Sun/Whirlpool's End were personal highlights. Worth travelling to Brussels for.
Fantastic review sir. Love this line, "I also wonder what you can feel when you’re the real Weller, in the bus, watching the pavement and to have a strange mirror like this one."
Peace and SOUL,
Dave...
Nice one Yann, I went to see him in Amsterdam and loved it.
Great Review yann, Thanks
Tommy
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