Able 2UK. (20 August, Camden Roundhouse)

The performers join previously announced acts including Frank Turner, Miles Kane and Steve Craddock for the Camden Roundhouse event.

Further guests are to be announced: Billy Bragg, Friendly Fires, Zane Lowe.

The inaugural Able2UK Concert for disabled awareness is organised by Howard Thorpe, promoted by Metropolis Music and Coda Agency and all profits from tickets sales will go to the Able2UK organisation.

Howard Thorpe, Able2UK founder said: "To have such a line-up of this calibre is a dream come true and will be the perfect way to launch what I hope will become an annual event promoting disabled awareness."

Oscar-nominated actor and producer Mark Walhberg has commissioned the special film piece below, to draw attention to close friend Howard Thorpe’s ongoing efforts to raise awareness and funds for this cause.

Album of the month in French Mag "Rock and Folk".

You've probably seen him on stage with Miles Kane. Elegant and Classy.

Weller and Wyatt ( And Siouxsie and Suggs!)

Porchester Hall, 2005

Thanx to Blackgirl Stripfighter...(A Legend)

Small Faces convention, Purchase now to avoid disappointment!

Congratulations, opening night massively brilliant!

Tonight Handball, continental sport, France / England, it's gonna hurt bad...


I've loved the way the music has been completely involved in the Olympics opening night!

Thick as thieves, 6,99 £ (Pre Order)

Facebook Page.

A place to order at that Pre-order price guarantee.

Hugh Cornwell exclusive interview by Eon Ballinger, soon!

Rise and Fall of Britpop, 2003 Documentary.

Live Forever: The Rise and Fall of Brit Pop is a 2003 documentary film written and directed by John Dower. The documentary is a study of popular culture in the United Kingdom during the mid to late 1990s. The focus of the piece is British popular music (Britpop), which underwent a resurgence during the mid-1990s and then seemingly retreated with similar haste towards the end of that decade.

The political landscape of the time also features. Much is made of Tony Blair and New Labour's efforts to align themselves with the distinctly British cultural resurgence that was underway. The documentary features a number of prominent UK musical and artistic figures, but relies heavily on contributions from Noel & Liam Gallagher of Oasis, Damon Albarn of Blur and Jarvis Cocker of Pulp. Other contributors include 3D from Massive Attack, Louise Wener from Sleeper, fashion designer Ozwald Boateng and modern artist Damien Hirst.

Wiggo's series.

Bradley Wiggins, King of the mods (Independent).

Mod Culture.

Fred Perry Interview

But when it comes to everything else, Wiggins is quintessentially Mod. The helmets, sunglasses and uniforms of road cycling can make it difficult for casual fans to tell cyclists in the peloton apart when they're flying past, but Wiggo's signature Paul Weller-style sideburns immediately mark him out in Sky's black and blue. His recently acquired yellow jersey makes things a lot easier now, too...

Wiggo's top ten (Thanx a lot to Simon Cooper)

Well-known music freak and guitar player (and occasional bike rider) Bradley Wiggins gives us an exclusive low-down on the songs, albums, venues and guitarists that have shaped his life.

"Tracks number seven and eight come from when I started getting into the older stuff. The Jam have two songs I really like: In the City and The Butterfly Collector. 

The Butterfly Collector is one that stands out from when I was 18. I did my first Six Days at Ghent and another in Germany and I remember seeing all these groupies hanging around. My Dad [Gary Wiggins, former track rider, now deceased] was around that scene in the Sixties, and the song really struck a chord. 

Track number nine would have to be by Small Faces, a song called Happy Days-Toytown. It’s from an album called Ogdens’ Nut Gone Flake – a really odd title." 

Interview by Alasdair Fotheringham

Music to me is not just something you listen to. I’ve always been gripped by it. A song will always take me back to where I was when I heard it for the first time.

The first song that ever really stopped me in my tracks was when I was 11, in my first year at secondary school in 1991. I came back home from school and saw The Stone Roses doing Don’t Stop on the television. That stuck in my memory and I started getting into them just as they were coming into their best period, which was lucky.

My second big track comes from when I was round at my Nan’s watching Top of the Pops 2, where they showed old songs from the 1980’s and before. The Smiths came on and I wasn’t taken by the music, more by this image of [Smiths guitarist] Johnny Marr, standing there playing the guitar. He just looked so cool, playing a big red semi-acoustic Gibson ES-335 with a Bigsby [vibrato device for guitar – Ed.] on it. Funny the kind of things you remember as a kid. I think the video I saw must have been from about 1986 because the track was This Charming Man.

Track number three comes thanks to watching The Word on a Friday night in 1994. Mark Lamarr introduced this band called Oasis and they played Supersonic. It was their first TV appearance and instantly I was drawn to them. The next day at school everyone was talking about how they’d seen this group Oasis on the telly. Then their album Definitely Maybe came out in 1994 and that was it. I was hooked.

Round about the same time a band that had been around for ages and ages called Ocean Colour Scene did their song Riverboat Song as the opening title sequence for TFI Friday, which was presented by Chris Evans. That’s my fourth track because I really massively got into Ocean Colour Scene, probably more so than Oasis. Ocean Colour Scene had one of their early albums out at the time, which had songs like Better Day and The Day we caught the Train on it. That was 1994 or 1995 and I remember as a 14-15 year old I would only listen to them and Oasis.

Then in 1995, driving to the velodrome one day in Manchester for the Junior Track Nationals, the trackChanging Man from Paul Weller’s new album Stanley Road came up. And that’s track number five. Again, I just loved the guitar in it. I ended up buying Stanley Road straight after the Track Nationals.

It was great because at the same time Oasis brought out their second album (What’s the Story) Morning Glory? which had classic songs like Wonderwall on it. Suddenly I started chasing music of all kinds. I ended up subsequently buying recent Weller albums, stuff like Heavy Soul, which came out in 1997, Paul Weller and Heliocentric. Both Oasis and Ocean Colour Scene touted Paul Weller as inspirations for their music. But Stanley Road was the first time Weller really came to my attention. I loved the whole album.

So I got into Weller’s recent stuff, but then when I was 18 I got more and more interested in The Jam. From there I started listening to Rod Stewart and Small Faces. Then there was The Kinks, although lyrically and musically, The Kinks and Small Faces were all a bit beyond me at that age.

As an 18-year-old what I liked most was guitar solos and particular drum beats. But I hadn’t forgottenOasis and Ocean Colour Scene, either. Track number six would have to be Wonderwall, because even if it’s not one of my favourite tracks of all time, it’s a track which I really associate with my childhood – I can remember how mad all the teenagers of the time were about it. TBC Here.

Paul Weller's HQ congratulates Wiggo.

Facebook Page

The Darling of the tour de France!

The darling of the Tour de France.

French hail Wiggins.

First Englishman to win the tour ever is a Mod. 

Here Wiggo! (Another guy than me tried to translate the article I've posted a few days ago) Thanx!

Ohwellwhatevernevermind - Pardon my French! 

The original blog

Jul. 21st, 2012 08:41 am Pardon my French!Thought I'd have a go at translating some French, without cheating and looking anything up. It ain't pretty... --- [1] Bradley Wiggins étonne souvent les Français par son humour froid, son apparence hautaine qui cache une forme de timidité et son look inhabituel sous nos contrées. [T] Bradley Wiggins often surprises the French with his dry humour, his haughty demeanour which hides a form of shyness and his infrequent look under our contradictions. --- [2] Comme quoi le tunnel sous la Manche et le marché unique n’ont pas vraiment rapproché culturellement les deux rives du Channel. Pour ses compatriotes, « Wiggo » est pourtant tout à fait lisible, tant par ses choix vestimentaires que par son attitude, ses goûts musicaux et son attachement un peu fétichiste au passé, qu’il soit culturel ou cycliste. [T] Just as the tunnel under the English Channel and the common market don't really bring together the compatriots of either side of the channel. For his countrymen "Wiggo" is easily readable, particularly with his choice of clothes and his attitude, his musical tastes and his slightly fetishistic attachment to the past, whether cultural or cycling. --- [3] On l’interroge de ce côté-ci de la Manche sur sa « ressemblance » avec Liam Gallagher, le chanteur d’Oasis, groupe pour lequel il avoue une certaine faiblesse, alors qu’en réalité, tous les deux s’inspirent du mouvement de jeunesse le plus durable de la société britannique, le mouvement Mod. [T] We ask on this side of the Channel about his resemblance to Liam Gallagher, the singer of Oasis, a group for whom he confides a certain weakness, though in reality both were inspired by the longest lasting youth movement of British society, the Mod movement. --- [4] Les références de Wiggins sont du coup à chercher du côté des années 60, et de groupes comme les Who, les Small Faces, puis des années 70 avec The Jam, dont le chanteur, Paul Weller, est plus que Liam Gallagher, le modèle du leader des Team Sky. [T] Wiggins' influence are mostly found in the sixties, and groups like The Who, The Small Faces, then the seventies with The Jam, whose singer, Paul Weller, and more than Liam Gallagher, is the model for the leader of the Sky team. --- [5] Weller est un peu comme Johnny chez nous, une incongruité… Sans doute le chanteur le plus respecté de son île, qui ne bénéficie sur le continent que d’un succès d’estime. [T] Weller is a bit like Johnny over here, an oddity. Without doubt the most respected singer of his island that has not made an impact on the continent. --- [6] Lorsqu’il ne fait pas du vélo, Bradley Wiggins est un mélomane passionné, collectionneur de guitares, qui s’est même offert l’un des instruments les plus rares du bassiste des Who, John Entwistle. Quel rapport, me direz-vous, avec le cyclisme? [T] When he's not riding a bike, Bradley Wiggins is a passionate music lover, a collector of guitars, one of which was even one of the most rare instruments given to him by John Entwistle, bass player of The Who. I ask you, what has this got to do with cycling? --- [7] C’est que l’ancien champion olympique de poursuite voue à l’histoire de ce sport la même collectionnite maniaque que pour la mode ou les mélodies des Sixties. [T] It is that the form Olympic pursuit champion collects the history of this sport even more maniacally than fashion or sixties music. --- [8] Wiggins connaît l’histoire du vélo comme sa poche et étonne les anciens, comme Bernard Hinault ou Marc Madiot, en leur rappelant le matériel qu’ils utilisaient à leur époque, ou en évoquant des palmarès oubliés des statisticiens les plus chevronnés. [T] Wiggins knows the history of cycling like his own pocket and suprises past greats, like Bernard Hinault or Mark Madiot, in speaking with them about the equipment they used in their era, or in recalling victories forgotten by the most decorated statisticians. --- [9] Bradley Wiggins a été particulièrement marqué par Tom Simpson, dont la mort sur les pentes du Ventoux en 1967 reste l’un des drames les plus frappants de l’histoire de la course, mais aussi une image choc de ces années 60 où le mouvement Mod était à son apogée. [T] Wiggins was particularly affected by Tom Simpson, whose death on the slopes of Ventoux in 1967 remains one of the most shocking dramas in the history of the race, but also a shocking image of the sixties, when the Mod movement was at its height. --- [10] Les Mods, ce sont ces amateurs de jazz et de rhythm & blues qui hantaient les folles nuits du Swinging London, tenaient le choc aux amphétamines – suivez mon regard – et arpentaient les rues de l’East End juchés sur des scooters rutilants. [T] The mods were lovers of jazz and rhythm and blues who created the mad nights of Swinging London, held the shock of amphetamines - follow me here - and frequented the dodgy streets of the London East End on their riotous scooters. --- [11] Bien sûr, Wiggins collectionne les Vespa et les Lambretta tout autant que les maillots et il est accompagné sur le Tour d’un photographe, Scott Mitchell, fervent Mod lui aussi. [T] Of course, Wiggins' collects of Vespas and Lambrettas as well as jerseys and is accompanied on The Tour by a photographer, Scott Mitchell, himself a fervent Mod. --- [12] Lorsque, au début du Tour, les coureurs du Team Sky furent affublés de casques jaunes en tant que leaders du classement par équipes, David Millar, autre dandy British du peloton, ricana sur Twitter : « Pas très Mod ! » [T] When, at the start of the tour, the members of Team Sky wore yellow helmets as if they were leading the team category, David Millar, another British dandy of the Peleton, mocked on Twitter: "Not very Mod --- [13] Pourtant, en s’emparant du maillot le plus convoité du cyclisme, Bradley Wiggins effectue un retour stylistique aux sources du mouvement Mod, puisque ces jeunes gens furent aussi les inventeurs du sportswear en popularisant les polos Fred Perry ou Ben Sherman, mais aussi et surtout en portant des maillots de cycliste et, parfois, des casques de vélo sur leurs scooters chromés. [T] Moreover, in winning the most coveted jersey in cycling, Bradley Wiggins is causing a Mod fashion revival, so that young people who wear sports fashions and popularised the polo shirts of Fred Perry or Ben Sherman, also wear cycling jerseys, and even cycle helmets on their chrome scooters. --- [14] Gagner le Tour, pour le Britannique, ce serait aussi faire triompher une esthétique. Et sur les Champs-Elysées, il faudrait sans doute jouer « Mod save the queen ». [T] Winning the tour will also be a fashion triumph for the British. And on the Champs Elysees, no doubt they will play "Mod Save The Queen".

Two months to go. Soon, a complete and live interview with Stu and Snowy. ;)

Soon on the Cornershop, Exclusive audio interview with Snowy and Stu, recorded in London. Stay Tuned.

Chris Bailey and H-Burns' interview. (By Yann)

Chris Bailey (The Saints) and H-Burns' interview. by Cornershop on Mixcloud

The remix. Noel Gallagher.

Dave Davies Interview, Late 2011

Small Faces, Mick Taylor's review! (Correct version)

Without a doubt, May 7th has got to be one of the most anticipated day's in the wonderful world of Small Faces history.

 Many fans worldwide have waited in anticipation for the latest Small Faces cd's for what is said to be the only time the band have been remastered from the original master tapes, every other Small Faces CD release to date has been copied from either very clean vinyl/very clean vinyl masters or just other previously issued CD's! This is the first time these issues are coming direct from the master tapes and the difference is clear. Your ears are going to be saying 'thankyou'. .

So, what have we got that we haven't had before? basically, everything. Master tape quality, Stereo and mono remastered versions. Alternate mixes. Unreleased tracks and absolutely awesome packaging with very informative trivia and information, especially with who plays what on all tracks. For years fans have asked "Which tracks did Jimmy Winston" play on on the first Decca album?" and "who played what instruments?". Well now you can all find out with these excellent sleeve notes.  Jimmy Winston adds to this story: "The Small Faces wanted to express themselves. On 'I've Got Mine', they certainly did just that. Steve's vocal was powerful, and the churning groove was driven by a guitar riff played through a Leslie organ cabinet. That thrilling lick lifts I've Got Mine towards psychedelic status - two years ahead of time. That was me! grins Jim. I'd like credit for that! I had a double keyboard Vox Continental organ, but I knew someone who made Leslie. I got him to make me one to make the Vox sound better, and asked him to put a guitar input on it. I loved it. In that song, I tried the guitar through a Leslie - that riff wasn't overcomplicated but the effect ...!. Had anyone played guitar through a Leslie before? I don't think so."

For those asking "what has happened with the "Autumn Stone" remasters?". Well lets not forget that the Autumn Stone album was basically a compilation with a few added new/unfinished tracks but the full album will be released in 2013. In the meantime a new box set is also planned for release later in 2012 which will include all of the "Autumn Stone" (unreleased) tracks along with some cracking Immediate era outtakes. Rob Caiger has done the most amazing job searching and finding a lot of the lost tapes of the Small Faces. I asked Rob to give us more info on the upcoming box set: "Certain 'Autumn Stone' tracks will feature on the box set, the live material definitely, taken from a master tape prepared for a cancelled US release that has a clearer mix but the album itself will be available later, in the next phase.  I'm looking at a 5 CD limited edition at most and 4 CD regular edition. Decca material aside (as there isn't anything else surviving - it's all on the deluxe's bar one track) there'll be very little duplication for the Immediate tracks on the box set to what is on the deluxe editions, maybe 7-10 tracks. Not finalised yet as certain sessions / songs have to be mixed from multi-track and sometimes you don't know where that leads you in presenting a song in a way that hasn't been heard before - bit cryptic, but it'll become clearer when we put up preview material from the studio on the new website."

There is also a lot more stuff to come. Kenney Jones recently said "there is more stuff that we're finding even now. I've got a lot more tapes that I didn't realise I had; every night when we'd (small Faces) finished recording I'd ask Glyn Johns to do me a copy of what we'd done that day which I've just found, there's all kinds of different stuff in there. We couldn't hold up what we've already planned with the new remasters but it's nice to have something for the future". So, what can be said about the Small Faces that hasn't already been said? And why does the band still have such a huge following from the 60s? The answer is easy really. Lead singer Steve Marriott is the greatest white soul singer to come out of the UK. Steve sings with heartfelt passion with lung bursting vocal gymnastics. Ronnie plays absorbing bass lines. Ian plays epic keyboards, Kenney plays propulsive drumming. This is boosted by the tight chemistry and creative fires between all members clearly demonstrating each other's signature styles. Their songs are well crafted melodies, rootsy with melodic guitar riffs which are delightfully infectious, and outrageously good. All in all the perfect band that stand up and flourish, elevated by a unique mod image. the release of these 2012 remasters brings out the best in the Small Faces, well crafted for essential listening.

Listening to the Decca remasters I am very impressed with the "Electronically Processed Stereo". I'm hearing things I have not heard before. My friend Tosh Flood, guitarist with the band Pugwash who has also been involved with the remasters says of the new EPS versions: "There was no Stereo masters made of all those "EPS" tracks at the time they were recorded. Decca only worked in Mono.In 1979 with the Mod Revival happening Decca did a run of Electronically Processed Stereo versions from the original analogue tapes - this is what you're hearing on the remasters, making this the first time they've been released on CD". ... So listening now to songs like "All Or Nothing", "Understanding", "I've Got Mine", "Sorry She's Mine", "It's Too Late" etc is now like listening to them in 3D.
Out of interest aswell. There was only two singles by the Small Faces on Decca mixed in "true" stereo: Sha La La La Lee and I Can't Make It. The stereo version of Sha La La La Lee on these 2012 remasters was found at Sony in Japan - That would have been done and exported to Japan for release. Not forgetting the Immediate era remasters, they are nothing short of a mindblast! The sound is so clear and better mixed you can now actually hear Billy Nicholls involvement with the vocals. All other mixes/releases have left Billy right down in the mix. Ronnie Lane is brought right up with his meaty bass lines and its like being sat in the studio next to him.

The artwork and new design of the package for Ogdens is especially awesome. New Tobacco tin designs, with music paper clippings, worldwide single 45's sleeves, and very informative sleeve notes. We all know the track listings, so what of the new stuff? The USA mixes of "Afterglow", "Long Agos", "Song Of A Baker", "Lazy Sunday" are truly excellent and you are in for a real treat with the instrumental versions of "Ogdens (session version)", "Happiness Stan", "The Fly", "Mad John" and new track "Kamikhazi". Listening to these tracks through headphone's sends you in to a different dimension.

All in all, everything has been worth the wait. You will not be disappointed. The quality of all tracks on all the cd's are just simply out of this world. A massive thank you must go to Nick Robbins and Rob Keyloch for the remastering, sound mastering, and tape restoration.

Mick's Facebook page, Groping with a Stoker.

Interview at Latitude festival.

Cucumber, the band! Hammond Groove. Check them...If you like Andy Lewis' work...

Weller, Latitude Attitude (festival.)

Setting stones? (Courtesy of Alex)

A SCULPTURE inspired by music legends The Jam has been unveiled in Woking. The band's former drummer Rick Buckler unveiled the three oak towers outside new flats in Guildford Road around 3pm today (July 12). 

The monoliths are said to each represent the three members of The Jam which formed in the town and are famous for hits such as That's Entertainment and The Eton Rifles.

It was made by artist Richard Ian Heys and was commissioned by Barratt Homes as part of a major redevelopment of Woking's town centre.

He said: "I'm delighted with the sculpture. The whole process has been met with some really great positive energy.

"It was chosen for its impact and also because of the symbolic nature. It's in three elements and instantly reflects the nature of The Jam."

Heys, 48, worked with The Jam and 130 pupils from  Woking College, Woking High School, St John the Baptist School and Bishop David Brown school to come up with the design.

Buckler said: "I would like to thank the pupils of Bishop David Brown, St John the Baptist, Woking College and Woking High School and the creative work of Richard Heys for their ideas, hard work and inspiration to create a sculpture to be as proud of as we are of being part of The Jam."

Heys, of East Sussex, played hits by The Jam and talked about the group during clay workshops to inspire pupils.

He added: "I was just bowled over by the enthusiasm of the kids. I think 97 per cent of them were really in to it and really enjoyed it.

"It was a bit different for them - to have a clay workshop and talk to this crazy artist. I think they really enjoyed it."

Using a chainsaw, Heys carved the towers from oak trees which he travelled across the country to find.

He said: "It's quite an abstract piece. The sculpture is designed to be looked at from different angles and forms a relationship with you over time.

"I think you could look at it as if you have the drummer, the bassist, and the vocalist."

He added: "When I listened to The Jam it struck me how good it is and how incredibly tight they were as musicians.

"In the sculpture I made a small circular space between them and that represents the harmony that they had together as musicians."

The Jam's frontman Paul Weller, who wrote Town Called Malice based on his teenage experience of Woking, has endorsed the sculpture.

He said: "I'm proud that The Jam has inspired this great piece of artwork for Woking.

"It's an honour to have this in my home town and to know all the hard work that has gone into making this special.

"Thank you to everyone involved that has made this possible."

Wiggo, a Mod Icon (In French with translated highlights to come)

Bradley Wiggins étonne souvent les Français par son humour froid, son apparence hautaine qui cache une forme de timidité et son look inhabituel sous nos contrées. Comme quoi le tunnel sous la Manche et le marché unique n’ont pas vraiment rapproché culturellement les deux rives du Channel. Pour ses compatriotes, « Wiggo » est pourtant tout à fait lisible, tant par ses choix vestimentaires que par son attitude, ses goûts musicaux et son attachement un peu fétichiste au passé, qu’il soit culturel ou cycliste.

On l’interroge de ce côté-ci de la Manche sur sa « ressemblance » avec Liam Gallagher, le chanteur d’Oasis, groupe pour lequel il avoue une certaine faiblesse, alors qu’en réalité, tous les deux s’inspirent du mouvement de jeunesse le plus durable de la société britannique, le mouvement Mod.

Les références de Wiggins sont du coup à chercher du côté des années 60, et de groupes comme les Who, les Small Faces, puis des années 70 avec The Jam, dont le chanteur, Paul Weller, est plus que Liam Gallagher, le modèle du leader des Team Sky. Weller est un peu comme Johnny chez nous, une incongruité… Sans doute le chanteur le plus respecté de son île, qui ne bénéficie sur le continent que d’un succès d’estime. Lorsqu’il ne fait pas du vélo, Bradley Wiggins est un mélomane passionné, collectionneur de guitares, qui s’est même offert l’un des instruments les plus rares du bassiste des Who, John Entwistle. Quel rapport, me direz-vous, avec le cyclisme ?

La suite ici.

Par l'auteur de Mods, la révolte par l'élégance,  

François Thomazeau

Massive thanx to Elise Sunflower!

Also check this blog: On tour with Bradley Wiggins

 

Weller in Italia, Ferrara.

Thanx a lot to Jovy and Alafarde

Weller at XFM Manchester.

Varvatos Clip (Weller and Kane)

Probably the cheapest store with Pretty Green...

Weller in Italia (Roma).

Much video on youtube by SoulSell (Thanx to the Taper)

On the run, Isle of Wight (and Full Gig)

Check Paul Weller News!

Yes, it's Weller.

Pony Taylor, new album. Paul Weller's got their two lps (true) and they opened for Supergrass.

Formed in 2006 and based on Avignon (France) , Pony Taylor draws its influences from the psychedelic rock of the late 60'sand indie pop melodies of the 90's.
A real mixture of power and harmonies in the authentic vintage sound so appreciated by Supergrass and Paul Weller fans as those of Spencer Davis Group or Deep Purple.

Mods are gonna win the Tour de France. Remember that 2008 post?

Paul Weller, Paul Smith and a Huge Weller fan: Bradley Wiggins (Double Olympic Gold medal).

Weller in Paris, June 2012.

Daniel Ash, Lost Boys, The attic Cover

Was ill and recorded this in bed when I was bored so pretty rough. From Mr. Wellers pukka new album Sonik Kicks.

(Thanx to Nick Ward)

Bert Jansch playing Davy Graham's Anji...

Just because I have a heavy acoustic guitar crisis...and to celebrate Bert's talent...

New Moons LP, September 3 rd. Can't miss it. ;)

Intitulé Fables Of History, le second album de The Moons devrait voir le jour outre-Manche le 3 septembre prochain.

Son tracklisting, incluant le duo Something Soon enregistré avec Paul Weller, sera le suivant :

Be Not Me

Forever Came Today

Revolutionary Lovers

Jennifer Sits Alone

Double Vision Love

English Summer

Something Soon (feat. Paul Weller)

It's Taking Over

Can You See Me

Habit Of A Lifetime

Lights Out

The First Goodbye

Details and Artwork here

Bruce Foxton's new album on Pledge Music.

Hello. It’s a pleasure to to be unveiling my plans for my new album. This will be my first solo album since “Touch Sensitive” and I’ve worked with some really exciting artists while making it.

First and foremost, the band, Russell Hastings & Mark Brzezicki, both very dear friends and fantastic players, we’ve had a ball recording together. Also on the album are Paul Weller; Steve Cropper! It was such a pleasure to work and hang out with Paul again. Then there’s the equally-legendary Steve Cropper. What an honour to have them both play on the album. I’m so proud of this record and hope you enjoy it. Thank you for your continued support.

You can now pre-order the album via PledgeMusic along with a range of never-before-seen items and experiences, all of which you can pre-order or ‘pledge’ on. All these items are listed on the right hand side and will be sent to you when the album is released. By pledging, you’ll gain access to the project as a whole, viewing exclusive footage from the studio, behind the scenes and concerts, as well as exclusive photos, audio and news updatesfrom me.

A percentage of the proceeds from this pre-release campaign will be donated to the Shooting Stars Chase charity, to help them continue their valuable work around Surrey & West Sussex, caring for local families with a child or teenager with a life-limiting condition. See www.shootingstarchase.org.uk for more details.I hope you enjoy this album as much as I enjoyed making it with these great musicians.

Thanks
Bruce

Pledge HERE

Eon's London Calling, tomorrow.

Designers (Malcom MacLaren, Jon Savage.. .)

 designtoconnect.com

Eon Ballinger recorded with The Legendary Creation...